• Think about what books you think your readers are reaching for and thought about why—then apply this to your search.
• Research the last three years of “best of” lists. If your book is literary fiction, look for articles about “best literary fiction” in 2020, 2021, 2022
• If you can’t find a “good” comp” you are probably looking for too similar of a comp. Look at aspects of a work that relate to yours: style/voice, themes, plot, or character quality/journey.
• Try to find a comp that will show where you’re positioned in today’s lite Who would be seated next to you if you were on a panel with other authors at a book festival?
• Once there is a movie? The book is not a good comp.
• Disregard any authors for comps if they have more than 20 bestsellers. (10 bestsellers is okay)
• Ask: Is it a success or a phenomenon? If it’s a success, comp it!
• Look at your own bookshelves.
• Ask librarians. Tell them the “dust jacket” version of your book, along with themes and ask them for writers they think you might be similar to.
• Ask other writers, especially those in your writing group and beta readers who know your book.
• Go to your local bookstore. Ask the booksellers and browse the shelves. At each store, buy a couple of similar books to read—(consider it good form and payment for the booksellers’ time and input.)
• EBSCO NoveList (accessed through your local library). This is especially helpful for similar themes, styles, and characters. It’s a great place to put in older titles and find more recent ones.
• Goodreads “TBR” lists from readers who like your favorite authors in your genre.
• Amazon bestseller lists by your category
• Research debut books of the last three years in your genre.
• Check out lots of books through the library to listen to and read. This was the least painful part—getting to read other books! (Please don’t comp a book you haven’t read. It’s bad form, and it may very well not end up being an appropriate comp.)
• www.whatshouldIreadnext.com  BookBrowse and Literature-Map.

https://pseudopod.org/

http://www.thenosleeppodcast.com/

https://podcastle.org/

https://firesidefiction.com/

http://www.fusionfragment.com/

http://strangehorizons.com/

https://www.sfpoetry.com/starline.html

As you may suspect, I am going to suggest that you start with a Google search.  Now, that may lead you into sites that you have to subscribe to for access, but there are tons of different websites that provide statistics.  Statistica is one such site, and you can access some data for free there. For instance, I just went to the page and searched “Book readers” and got a LOT of data that will help me. However, searching to learn about what the book reading market is doing and how they are spending their money is one thing — What you want to know is where other books like yours are selling best.  For example, if you have a business book, you’ll want to look into where people are buying business books. 

Not only do you want to find out what platforms they are selling best within, but what countries are the buyers coming from.  Believe it or not, when our clients are part of a BookBub promotion for a business book, most of the sales come from India.  Also, while most of the sales come in from Amazon, many of the purchases come from iBooks.  It’s crucial that you find out about your direct market, and then you go from there.

You don’t want to be too general when it comes to this.  You can’t just say, “Where do audiobooks sell?”  That’s not specific enough.  You can get a set of stats, but they may not be stats that apply specifically to your book.  The stats for fiction and nonfiction audiobooks will be different, for instance, and stats for memoir and business audiobooks will also vary.  You really have to get your market dialed in.  Remember, if you don’t have a target, you can’t hit it.  You have to aim for something specific to get the best results possible.

If you are a fiction or memoir author, don’t forget the gold you can unearth at GoodReads.

Here are ten simple steps that can help you “dial in” your marketing plans:

1. Find 12 authors who share your desired market (You think their readers would like your books) You can find these on Amazon, B&N.com, or the USA Today Bestseller lists.
2. Go to Goodreads and look up those authors and books
3. Click on the “Community Reviews” of that book
4. Go through the fans of the book and start identifying the gender, age, reading capacity of the reviewers. (You will quickly discover a demographic….)
5. Check out the reviewers’ profiles and look at their favorite authors
6. Investigate THOSE authors and add them to your list of comp authors
7. Look up every title you have now identified as a comp title and every author you have identified as a comp author. (Hopefully you have 40-50 by now)
8. Follow them on social media, sign up for their newsletters, send them a fan letter (IF AND ONLY IF you are a fan…)
9. Get to know their readers online
10. And ONCE YOU ARE A VALUED MEMBER of that community, start asking questions. (Where do you buy books? Do you mainly buy audio, ebooks, paperback? Do you like online author events? Do you actually READ author newsletters? )

While it is highly advisable that authors spend time every day connecting and interacting with readers, it is time for us to stop trying to cultivate “raving fans.” Why am I not a big proponent of the idea of “creating fans?” I think that connecting with readers and building a relationship with people who enjoy your writing takes less time, less effort and has a LOT more integrity than jumping through hoops to build a “fan base.”  I am not a “fan” of my favorite authors; I am one of their readers. It is a more personal and valuable relationship. I would like to suggest that we, as authors, try to develop a reader base instead of a fan base.

Newsletters and social media are two of the best ways to reach out to your readers and to connect with new readers. I spoke with Steena Holmes from Lake Union Press this week and she was kind enough to share with me the ups and downs she has experienced while learning to connect with her readers.

Steena has sold millions of copies of her books over the years and she has a HUGE “fan base” that any author would envy. But that base was built by learning how to interact with readers and use the newsletter and social media tools at her disposal.

A few years back, Steena decided that her readership was large and engaged enough that she could move her fan discussion group from Facebook onto her website. She rightly reasoned that the conversations on her site would be more valuable to her than they would be on Facebook. She could gather more data from the readers, offer more perks, and have a more personal connection on a site that she managed.

WHAT HAPPENED:

Not many people followed her from Facebook to her own site. A few deeply connected folks did jump over, but most of her readers opted to stay on Facebook and not add an additional page to their list of places to hangout. Steena was correct in thinking that driving people to her page would benefit BOTH her AND the readers, but folks are not easily moved from where they are most comfortable. (an object at rest…) Have YOU ever tried to get a group of people to move from one location to another? It takes a great deal of organization and motivation. So, people stayed on Facebook and Steena’s page community never truly lifted off

WHAT SHE DID THEN:

Smart and quick to see what benefitted her readers, Steena moved back to the social media forums where her readers were most comfortable. BUT she did not stop there. She developed a series of practices that allowed her readers to stay where they preferred AND gave them opportunities to stop by her site and give their contact information, answer questions that formed some of Steena’s future offerings. Getting folks to her website and benefitting from her readers input there WAS still possible, Steena just had to go about it a little differently. Here are some of her ideas:

• She asked people questions about what they wanted to read/see next and linked a button from her website to click on to answer. This gave her readers the very legitimate feeling that she wanted their input AND drove them to her website to leave the answer which gave them a chance to (perhaps) sign up for her newsletter. This practice gave her the ability to connect with readers on the platform they preferred and still offer them legitimate reasons to check out her site and partake of her offerings.

• Speaking of her newsletter? Steena learned very early on that a newsletter that does nothing but advertise books and announce sales is NOT a valuable resource for readers. The newsletter she produces is a TON of entertaining items, reader tips, and other items that entertain and inform her subscribers.  She also found that if she only promoted her books when they were on sale that she was training her readers to only buy her books when they were discounted.

Try new things and offer every idea you can to your readers. Don’t be afraid to experiment but be sure to listen to your readers.  Pay attention to what they are saying by their actions and give them what they want.  By doing this you will grow and nurture your reader base ad relationships.  This is far better than chasing after fans.

• Some reviewers ask for submissions 4 months in advance. Some ask for your book to be sent in an electronic format.
• Others request that the books be submitted in printed and bound book form. (ARC’s/Advance Readers Copies can be used for this)
• Many reviewers ask to see your marketing plan.
• Others only request a copy of the book.

• Adult Fiction (PDF)
• Adult Nonfiction (PDF)
• Children’s (PDF)
• Young Adult (PDF)

• ChoiceReviews print and online scholarly works recommended for college and university libraries. See the Choice Submission of Books and Electronic Media for Review (Guidelines for Publishers) webpage for more details.
• AudioFile reviews unabridged and abridged audiobooks, original audio programs, commentary, and dramatizations in the spoken-word format. See Contact AudioFile for further assistance.
• Bulletin of the Center for Children’s Books reviews new children’s books. See the Bulletin Information for Publishers for further assistance.
• The Horn Book Guide and The Horn Book Magazine both review children’s and young adult books that are published in the United States. The Horn Book Magazine also reviews audiobooks. Books produced by publishers that are not listed in Literary Market Place are not considered. See Horn Book Submissions for further assistance.
• School Library Journal reviews new children’s and young adult general trade books, original paperbacks, and reference books from established publishers. In order to be considered for review, books must be of national interest and be readily available from national distributors at an institutional discount. Also reviewed are DVDs & audio recordings (audiobooks and CDs), and reference products and online resources. See the School Library Journal Submitting Review Materials for additional details and mailing addresses.
• Science Books & Films (SB&F) reviews science-based books, videos, software, and websites for all age groups (K-College, Teachers, and General Audience). See SB&F FAQ/Reviews & Reviewing (at the bottom of the page) for further assistance.
• Video Librarian reviews both theatrical and non-theatrical DVDs, including Blu-ray, that are new to the marketplace for public school, university, and special libraries. See How to Submit Titles for Review in Video Librarian or Video Librarian Online for further assistance.